{"id":4,"date":"2017-03-12T17:33:18","date_gmt":"2017-03-12T17:33:18","guid":{"rendered":"https:\/\/www.granitoscultore.com\/opere-dal-1993-al-1985\/"},"modified":"2025-01-03T19:46:14","modified_gmt":"2025-01-03T19:46:14","slug":"opere-dal-1993-al-1985","status":"publish","type":"page","link":"https:\/\/www.granitoscultore.com\/en\/opere-dal-1993-al-1985\/","title":{"rendered":"Works dating from 1993 to 1985"},"content":{"rendered":"
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Love of life.
\nMan-nature relationship has seen better days. Man was the centre of the universe during the Renaissance, as man was considered the most perfect creature in the cosmic harmony. This conception provided certainties, that materialized into a type of art characterized by a marked balance from both formal and content point of view. The present era is very different, lamentably. In fact, arrogance, prevarication, mystification, a philosophy of death and destruction have become every day\u2019s logics.
\nThe representation of the man-nature relationship is affected by these neurotic and exasperated approaches and suffers deep wounds: Nature is not a friend any more, the supreme harmony expressed with sublime ability in the \u201cPastoral Concert\u201d by Giorgione-Titian is irremediably compromised.
\nStarting from this disenchanted and sorrowful vision of reality, art can only express distress, imbalance, disharmony and uncertainty.
Love of life is just a remembrance marred by the lacerations of memory.\nThis cycle works is pervaded by a bitter sense of repulsion towards contemporary reality, regarded with coldness and detachment: this drama does not belong to us any longer, something in the great wheel of History has broken down irremediably: this just has to be acknowledged.
These sculptures create a set of fragments simulating the remains of who knows what story, now lost and consumed by the inescapable time overlaying its own cracks onto the image. This story devoid of all drama is blocked, \u201cfrozen\u201d in time and space.
It is like an archeologic exhibit telling us his story thank to its few fragments and the numerous wounds rather than through the few remains of the represented image.<\/p>\n\n\n

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\"Esprimi<\/a><\/div>\n
Foto02<\/a><\/div>\n
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Make a Whish<\/p>\n

Restoration paper on wood<\/p>\n

cm. 400 x 200 x 250<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Frammenti\"<\/a><\/div>\n
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Fragments<\/p>\n

Mixed technique<\/p>\n

cm. 40 x 180 x 90<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Frammenti\"<\/a><\/div>\n
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Fragments<\/p>\n

Plaster, wood dust, glue on wood and paper treated with watercolour<\/p>\n

cm. 70 x 90 x 20<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Frammenti\"<\/a><\/div>\n
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Fragments<\/p>\n

Plaster, wood dust, glue on wood and paper treated with watercolour<\/p>\n

cm. 70 x 90 x 20<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"La<\/a><\/div>\n
Foto02<\/a><\/div>\n
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Love of Life<\/p>\n

Plaster, wood dust, glue on wood<\/p>\n

cm. 220 x 250 x 40<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Icaro\"<\/a><\/div>\n
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Icaro<\/p>\n

Plaster, wood dust, glue on wood<\/p>\n

cm. 130 x 90 x 20<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Icaro\"<\/a><\/div>\n
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Icaro<\/p>\n

Plaster, wood dust, glue on wood<\/p>\n

cm. 70 x 90 x 30<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Icaro\"<\/a><\/div>\n
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Icaro<\/p>\n

Gesso, segatura e colla, legno, terriccio Plaster, wood dust and glue, wood, soil<\/p>\n

cm. 25 x 90 x 180<\/p>\n\n<\/div>\n<\/div>\n

<\/div>\n\n
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\"Icaro\"<\/a><\/div>\n
Foto02<\/a><\/div>\n
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Fragments<\/p>\n

Mosaic on wood<\/p>\n

cm. 150 x 110 x 30<\/p>\n\n<\/div>\n<\/div>\n

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La gioia di vivere. Il rapporto uomo-natura ha vissuto tempi migliori. Il Rinascimento poneva al centro dell’Universo l’uomo come la creatura pi\u00f9 perfetta nell’armonia cosmica. Tale concezione forniva incondizionate certezze, che si concretizzavano in un’arte visibilmente improntata ad uno spiccato equilibrio contenutistico e formale. Sciaguratamente diversa \u00e8 la nostra epoca, in cui arroganza, prevaricazione, mistificazione, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":18,"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/pages\/4\/revisions\/547"}],"wp:attachment":[{"href":"https:\/\/www.granitoscultore.com\/en\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}